Coffee & Conversation With Craig Shelton
When I read in an interview in Inside Jersey that Craig Shelton – historically New Jersey’s most renowned chef for his groundbreaking restaurant, the Ryland Inn – had moved to Princeton, my home town, I invited him to conversation over coffee at a local shop. I wanted to know why and how he had landed in Princeton after a stint in Texas, and what was on his horizon. As always, Shelton was gentlemanly, thoughtful, and unpredictable. I can’t think of any other chef whose responses to restaurant-related questions would encompass: artists ranging from John Singer Sargent to Basquiat, the differences between the British and German banking systems (a discussion that was, frankly, over my head and so is not included here), and the nature of man and the universe.
Me: Why Princeton?
Shelton: The reasons were several-fold. First and foremost, the children. My son, William, is 14 and in middle school. My littlest, Juliette, is at Community Park elementary. (Olivia, my oldest, is soon to be 23. She’s finishing up at Villanova. Her major is pre-med and communications.) Princeton is one of very few locations where you can have an extremely high-value quality of life without needing much money. I lived for many years in nice places that required a nice income. Have you been to the university art museum? I was blown away. I’ve always been a bookish guy. It’s nice to be in a community where you’re not an oddity. Well, I’m still an oddity. I’m probably the only guy in town that’s right-of-center politically.
Me: How has your family coped with the recent changes?
Shelton: My wife fell in love with Texas. We went down without expectations – the rolling hills and horse farms reminded us of Far Hills. People were so lovely, I can’t begin to tell you. We found the area singularly beautiful, quiet, whole, and wholesome. I didn’t see the level of spiritual emptiness that is worldwide. My wife was a shy person, but they embraced her. It affected her in a most beautiful way.
Me: I know you’re consulting with Constantine Katsifis, owner of the Skylark Diner in Edison and other ambitious diners around the state. What else are you involved in these days?
Shelton: Constantine uses me as a kind of Special Ops guy on serious issues. I go in for 90 days, do triage, implement fixes, take a look at finances, marketing – whatever his needs are. I even consult on issues outside his restaurants. But my highest aspiration is to be a bridge between the worlds of finance the restaurant arts. The Ryland was like the canary in the coal mine: it was not in a big city – it was exurban – and it had no big financial backers. It was ten to fifteen years ahead of the others in having to face the current financial and global issues. We have created a sort of Frankensteinish monetary code in the US – very injurious to the working and middle classes – that makes any kind of traditional business [harder]. Finance and banking trump all other aspects of business, and the government is failing to resolve current issues of financial trust. There’s an unprecedented need for balance sheet work to be done!
Me: Where is the dining world headed?
Shelton: It’s easier to figure out than you think. Like all the plastic arts, it is constantly evolving. But of all the arts it has the greatest latency factor. Just look at any other art form, what you see on the plate will have come out of that. Sculpture, architecture, music – you can map alongside the resulting aesthetic changes in cuisine. What creates beauty? The mind creates beauty based, I think, on the nature of the universe – god and man. Beauty deals with these things on some level. If you take an art history class you’ll see the changes from, say, William Merritt Chase and Singer Sargent to Basquiat and beyond. You see Rothko on the plate today: a smear painted with a brush. Chefs don’t create ex nihilo, they’re a product of their environment. The current worldview is that we have rejected painterly painting, that you see the effect of modernism everywhere. You see evidences of the changes, not just in painting but in advertising, packaging, signage, etc. But I think you’re going to see a psychological need to draw support from traditional beauty with more frequency.
Me: What does it take to have a successful restaurant these days?
Shelton: The guys who have followed me have done so at a nearly impossible moment in time. Their range of choices is driven by economics, as it has been for 25 years. Like when Jean Georges began to use the secondary cuts of meat – really, it was the only economic choice at the time. Why do you think people are into foraging now? The range of options keeps shrinking. A lot of restaurants are going to go under – 20% or more. Of course, there will always be a few geniuses and a factor of luck, like finding the right business partner. A dining room of ten seats can work; anything more than that may be a liability these days.
Slow Food Winter Market @ Cherry Grove Farm on Saturday
Cheeses from Cherry Grove Farm, Lawrenceville
At this special holiday market you can, of course, pick up outstanding meats, eggs, fruits, vegetables, and other foodstuffs from these participating farms: Cherry Grove, Cherry Grove Organic, and North Slope. But you can also put a serious dent in your holiday gift list. Personally, these are what I plan to cross off my own:
There will be much more: Organic ghee from Pure Indian Foods, fresh mozzarella and ricotta from Fulper Farms, alpaca wool products from WoodsEdge, Jersey Jams and Jellies, Artisan Tree handmade natural soaps. Plus live music by Bo Child & Anita Harding.
Shibumi Farm Mushrooms
I’ll also be purchasing exotic mushrooms from Shibumi Farm to make wild mushroom mac ‘n’ cheese for a holiday dinner party I’m hosting. If you haven’t encountered the spectacular fungi of Alan Kaufman and company, like the lemon oysters, pioppinos, and king oysters show here, you’re missing out on something special.
The Central NJ Slow Food Winter Market runs from 11 am to 3 pm on Saturday, December 15 at Cherry Grove Farm on Route 206 in Lawrenceville. For directions and a full line-up of vendors, click here.
Jonathan Gold’s Cooking Weights & Measures Quiz
I am not going to tell you what I scored on this clever multiple-choice test; it’s embarrassing. Hopefully you’ll do better.